The Biden presidency was restorationist and Harris promised to continue in that vein. Essentially, they wanted to ...

You might think that a novelist who works in more than one language would want language itself to become conceptual, ...

Given what it sets out to do, it’s hard to fault The Thursday Murder Club. The sentences flow smoothly, the jokes ...

The first hour of Anora, Sean Baker says, belongs to the genre of romantic comedy. This makes interesting sense if ...

As peripatetic as he was, Fred Sparks, who was then a foreign correspondent for the Chicago Daily News, didn’t cover the Arab ...

It had been twenty years since my last research trip to the British Library when, in November last year, I received an email ...

‘Even blindfolded,’ Emanuel Litvinoff wrote of the interwar East End in Journey Through a Small Planet (1972), ‘I’d have known where we were by the smell of the different streets – reek of rotten ...

The next morning, the city was silent. DC is openly hostile to Trump: more than 90 per cent of voters backed ...

At PPG Paints Arena in Pittsburgh on 4 November, teams of ushers were handing out signs that said: ‘Trump will fix it.’ They didn’t allow homemade signs because it was a safety risk, they said, though ...

The story of 10 Rillington Place is a story that will not settle, because we will never know the full truth of ...

Music critic Ian Penman is back with a pioneering book of essays alluding to a lost moment in musical history ‘when cultures collided and a cross-generational and “cross-colour” awareness was born’.

In her recent piece for the paper, Patricia Lockwood revisits David Foster Wallace’s work in the light of posthumous publications and the shadow of #MeToo. Lockwood joined Joanne O’Leary, an editor at ...