资讯
The new play compelling explores the irreconcilability of queerness and monarchy though falls flat while dealing with the ...
Laia Abril, Gabrielle Goliath and Lydia Pettit amplify the voices of survivors – and challenge the narratives that silence them ...
His print show at STPI Creative Workshop & Gallery, Singapore, upends the question: ‘What does it mean for an artist to be ...
In a series of formally playful snapshots at Goswell Road, Paris, the artist captures intimate moments of love and care ...
Fontana searched for an absolute essence hiding behind the flat surface of things. On the contrary, Taguchi’s vision – milky ...
FriezeIn the perpetual turning of the market wheel, the last two years have been a difficult season. So, what’s it like running an emerging gallery in New York in 2025? ‘Well, I don’t recommend it,’ ...
Shortly before his death in 1564, Michelangelo returned to wood. He had last worked in the medium as a teenager in the previous century; his mature years had been spent with paint and marble. But ...
My earliest influence was probably the SS Dominator, which was shipwrecked in Palos Verdes in 1961. All of the surf kids were obsessed with it and, every day, we would pedal our bicycles down there.
FriezeRotomi Fani-Kayode, Nothing to Lose XII (Bodies of Experience), 1989. Archival chromogenic print, 61 × 51 cm. Edition of 10. Courtesy: the artist and Hales Fani-Kayode’s work is audacious, ...
FriezeSarah McHale I have been a big fan of Eamon’s since working with him in 2020 on a project for The Hammer Museum’s KAMP (Kids Art Museum Project). His work in this past year’s Whitney Biennial ...
The first thing you will see upon entering Tina Girouard’s retrospective at the Center for Art, Research, and Alliances (CARA) is a loop of floral fabric that hangs down from the second floor. Drawn ...
FriezeThe Focus section at Frieze New York 2025 is a platform for the most innovative voices in art today. Led by Lumi Tan, 12 young galleries show solo presentations, with new international names ...
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