Friday essay: as the legacy media have dumbed down, The New Yorker has dumbed up
On its 100th anniversary, Matthew Ricketson considers The New Yorker’s remarkable journalism and vital role in our chaotic, ...
From satire to serious journalism – how The New Yorker has shaped a century of thought
The magazine has gained a cult following, partly by branding itself as a beacon of intellectualism. Here’s how it has changed, and stayed the same, over 100 years.
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The New Yorker’s Jane Mayer and Rachel Aviv Win Polk Awards
The prizes recognize investigations into misconduct by the newly confirmed Defense Secretary, Pete Hegseth, and the family life of the late Nobel laureate Alice Munro.
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One Hundred Years of 'The New Yorker', the Cult Magazine Born in a Poker Game: "Previously only read by diplomats or professors, now the audience is much broader"
In its pages, Borges, Camus, Hemingway, and Tom Wolfe have written. Its covers and cartoons are works of art. It dedicates months to the riskiest investigations. And it even has its own spelling rules ...
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Rea Irvin’s “Eustace Tilley” at One Hundred
Rea Irvin, a savvy man-about-town, designed the first cover, planned for February, 1925. He rejected the initial concept of a ...
How this New York Times writer is approaching politics differently
In addition to being a New York Times award-winning journalist, constitutional lawyer, military veteran and author, David ...
The New Yorker turns 100 − how a poker game pipe dream became a publishing powerhouse
Literate in tone, far-reaching in scope, and witty to its bones, The New Yorker brought a new – and much-needed – ...
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The New Yorker magazine's first hundred years
The New Yorker became a serious magazine, publishing writers ranging from J.D. Salinger to James Baldwin, from the film critic Pauline Kael to the investigative journalist Ronan Farrow.